Amadou Foula Bah is a legend of Guinean music who has left a lasting mark on the country’s cultural history through his unique journey and ability to blend Manding and pastoral musical traditions. Born in 1960 in Kankan, he started as a motorcycle mechanic before his exceptional vocal talent was accidentally discovered in his workshop. His nickname "Foula," added to distinguish him from his master mechanic, became an integral part of his artistic identity.
A member of the prestigious "22 Bandes de Kankan" in the 1970s and 80s, he achieved fame with his 1995 album Gongama, earning him the title "Little Prince of Fouta." His major contribution to Guinean music lies in his ability to bridge different musical traditions, particularly through his hit song Gongama, which seamlessly fuses Manding and pastoral styles. Unfortunately, his brilliant career was cut short by severe osteoarthritis, which has kept him away from the stage for over two decades. However, his musical legacy continues to inspire Guinea’s contemporary music scene.
Introduction
Amadou Foula Bah, an emblematic figure of Guinean music, perfectly embodies the saying, "Man proposes, God disposes, and nature prevails." Born in 1960 in Kankan, this artist of Fulani origin has left an indelible mark on Guinean music with his smooth voice and unique style, blending Mandingo and pastoral musical traditions.
Early life
The youngest of four siblings, Amadou grew up in Kankan in a modest family. His father, Tierno Souleymane, ran a local restaurant and harbored the ambition of seeing his son become a motorcycle mechanic, a highly respected profession in a city where two-wheelers played a crucial role in daily life.
Career as a Mechanic
In 1975, Amadou's destiny took a turn when his father entrusted him to a master mechanic, also named Amadou, a specialist in Yamaha 100 and Honda 125 motorcycles. To differentiate the two Amadous in the Kankan Météo workshop, the young apprentice was given the nickname "Foula" in reference to his Fouta origins. It was in this workshop that he not only honed his mechanical skills but also nurtured his passion for music.
Early Artistic Career
A decisive encounter with Elhadj Sidi Mamadi, the father of renowned griots Oumou Diabaté and Missia Saran Diabaté, marked the true beginning of his musical career. Impressed by the young mechanic's vocal talent as he hummed while working, Elhadj invited him to a musical vigil where Amadou delivered a masterful performance of the song "Diandjo." This performance opened the doors to the music world for him.
Under the influence of Djeli Moussa Diawara, an eminent guitarist who introduced him to praise singing, Amadou first joined Fekoromba Jaz, a small local orchestra. His talent quickly propelled him to the "22 Bandes de Kankan," the region’s renowned federal orchestra, in 1978.
Success
Within the 22 Bandes de Kankan, Amadou Foula innovated by creating a musical bridge between Mandingo and pastoral traditions. His song "Gongama" quickly became a classic, showcasing his ability to transcend cultural boundaries. He participated in national and international tours, including the first Festival of Arts and Culture in Conakry in 1979 and a tour in Libya in 1982.
Albums
After the dissolution of national orchestras following President Sékou Touré's death in 1984, Amadou moved to Conakry in 1990. He collaborated with Sékouba Bambino Diabaté and took part in several international tours before launching his solo career. His first album, "Gongama," recorded at JBZ studio in Abidjan in 1995, was a resounding success. In 2000, he participated in the compilation "Étoile du Fouta," where his song "La Baraka" became a major hit.
Illness
Unfortunately, at the peak of his career, Amadou was struck by severe osteoarthritis, which limited his movements. In 2015, he underwent spinal surgery at Ambroise Paré Hospital. Despite retaining his unique vocal timbre, the illness has kept him away from the studio and stage for over 24 years.
Personal Life
During his difficult times, Amadou has been able to count on the unwavering support of Barou Koulibali, a generous businessman who has stood by him for 15 years. He currently resides in Bambeto, a district of Conakry, surrounded by his family, who help him cope with his daily struggles.
Conclusion
Amadou Foula remains a significant figure in Guinean music, whose legacy transcends genres and cultures. His extraordinary journey, from a young mechanic to the "Little Prince of Fouta," perfectly illustrates how talent, combined with passion and hard work, can transform a life. Despite the challenges posed by his illness, his contribution to Guinean music remains indelible, inspiring future generations of artists.
